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“You know she never does nothin’ to us really, Moses, no matter how she jaws. Come on, you clipped yer pony so lovely an’ evenlike. The horse-clippers is bangin’ on the wall behind you.” The Prettymans’ white cow was ingeniously shaped and caparisoned to represent “India’s Sacred White Elephant”; and Jackson was the Hindoo leader. This exhibit caused much controversy. The attendant should ride on the neck of the elephant, all agreed to that; but the cow objected; so they compromised by having Jackson walk. The matter of costume for Jackson was not so easily settled, as the differing pictures of sacred elephants presented a variation in the attendants’ garb. May Nell,—who was to be the “Fair Princess of Bombay,”—as soon as she could get a hearing, ended the dispute amicably by suggesting that Jackson be allowed his choice in the matter of dress, an alternative that permitted each disputant to withdraw from the argument with honor. “Pretty; and Charley will be Douglas, and—”.
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“Ay, ay, sir,” came this time from two boys who had charge of some logs lashed together and crossed and recrossed by a hash-like lot of refuse lumber, and moored with a dog chain. “Singe my hair ef I do, let’s hev some more doin’s,” rebelled Moses. “Yer a reglar Mis’ Barnum,” he praised. Whereupon the enterprising program-maker began to devise new and more wonderful side-shows for her admirer. “As the door creaketh on his hinges, so the slugger turneth on his bed.” Liza Wopp’s voice was compelling in its significance. Through the rose-lit dreams of Moses, the sound and the awful words were like the threatenings of an approaching storm..
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